Introducing Anita DeSoto
My profound passion for painting takes on a vivid voice as it intertwines with my deep fascination for History. It’s a captivating dance where the forgotten stories of women, often hidden, find their expression in my art. A constant thread in my work.
I was born in Waimate, near where generations of my paternal ancestors lived in the enchanting Totara Valley in Waitaha/Canterbury. Amongst the limestone caves that hold ancient whispers and Maori art. And the echo of long-forgotten horseback journeys through this valley, as children rode huge distances to school.
In the journey of my life, Koputai/Port Chalmers is a place of profound significance. It was here, from the age of 3, that I grew up around my maternal lineage. The salty breeze of Koputai carries within it the echoes of generations past, and my family’s tales.
Imagine the scene in the 1840s, my great-great-great grandmother was eyewitness to hundreds of vessels navigating Otago Harbour, carrying with them a tide of settlers. Her survival story of womanhood in that era remains etched in my consciousness – an awe-inspiring testament to her endurance and resilience.
Now, standing as a matriarch within my own family, I find profound joy in the act of sharing life’s journey with my loved ones. In a cottage by the ever-changing sea in Blueskin Bay, my partner and I have cultivated a garden vast in size, colours, and produce. Another kind of canvas imbued with a vibrant spectrum.
On The Horizon
She Does Not Fit the Frame, 2026.
I’m now finishing the last of my fifty paintings for She Does Not Fit the Frame, opening at Stoddart Gallery, Diamond Harbour on 30 January 2026.
She Does Not Fit the Frame is inspired by two colonial women: my ancestor Barbara Putland, who arrived in Akaroa in 1840, and local artist Margaret Stoddart. The sea was a defining force in both Barbara and Margaret’s lives, shaping their survival, resilience, and sense of place. This elemental connection, along with the rich landscape of Diamond Harbour, has served as a foundation for my exhibition.
Margaret forged a celebrated, artistic life at a time when women had few opportunities, while Barbara’s long, difficult life, marked by survival at sea, famine, conflict, and immense personal loss. Her story survives only in fragments, like many women of the past.
In response, I have created miniature works within the genres once deemed suitable for women, portraiture, landscape, and floral painting, then disrupted them with expressive marks. This act of “sabotage” releases my fictional figures from colonial constraints and allows a ghostly impression to emerge, honouring the legacy of women whose stories remain largely unseen. Here is a wee taste of the show.
Solo shows:
Stoddart Gallery, Diamond Harbour, Christchurch, January 30, 2026.
For those of you who missed the Potion exhibition, He Waka Tui, Invercargill, Potion will exhibit again at Ashburton Public Art Gallery, 27th June – 23rd August, 2026.
Group Shows:
New Zealand Paint and Print Art Awards 2026 28th February, Hamilton.
Recent reading:
Reassuring reading for me is Katie Whites’s Art-Net article Neo-Rococo Movement Is On the Rise—But What Does It All Mean?