Anita DeSoto

Introducing Anita DeSoto

My profound passion for painting takes on a vivid voice as it intertwines with my deep fascination for History. It’s a captivating dance where the forgotten stories of women, often hidden, find their expression in my art. A constant thread in my work.

I was born in Waimate, near where generations of my paternal ancestors lived in the enchanting Totara Valley in Waitaha/Canterbury. Amongst the limestone caves that hold ancient whispers and Maori art. And the echo of long-forgotten horseback journeys through this valley, as children rode huge distances to school.

In the journey of my life, Koputai/Port Chalmers is a place of profound significance. It was here, from the age of 3, that I grew up around my maternal lineage. The salty breeze of Koputai carries within it the echoes of generations past, and my family’s tales.

Imagine the scene in the 1840s, my great-great-great grandmother was eyewitness to hundreds of vessels navigating Otago Harbour, carrying with them a tide of settlers. Her survival story of womanhood in that era remains etched in my consciousness – an awe-inspiring testament to her endurance and resilience.

Now, standing as a matriarch within my own family, I find profound joy in the act of sharing life’s journey with my loved ones. In a cottage by the ever-changing sea in Blueskin Bay, my partner and I have cultivated a garden vast in size, colours, and produce. Another kind of canvas imbued with a vibrant spectrum.

On The Horizon

Exciting news!
I’m thrilled to share that I have been awarded the Stoddart Gallery Artist Residency 2025! This means I’ll be living in beautiful Diamond Harbour for a month, painting, reflecting, and connecting with the incredible arts community in Ōtautahi, as well as with family and friends. 

Margaret Stoddart’s painting Old Homestead, Diamond Harbour had a profound impact on me in my 30s, transporting me to another time and place. Her influence, along with my passion for women’s history, has inspired my upcoming project: a portrait series exploring the lives of women from the past and the sea as a defining force shaping their survival, resilience, and sense of place. This elemental connection—along with the rich landscape of Diamond Harbour—will serve as a foundation for my portrait series, paying tribute to these women and their enduring legacies. 

Group shows up and coming:

Women’s Work Art Collective is holding its first exhibition Intersection at Olga Gallery, Dunedin, May 30th.

Cleveland Art Awards, exhibiting at the Dunedin Railway Station until June 3rd.

Gallery DeNovo is celebrating its 20th birthday with a group show mid-year. 

Solo shows:

Stoddart Gallery, Diamond Harbor, Christchurch, 2025.

For those of you who missed the Potion exhibition He Waka Tui, Invercargill, Potion will exhibit again at Ashburton Public Art Gallery 2026.

Recent reading:
Reassuring reading for me is Katie Whites’s Art-Net article Neo-Rococo Movement Is On the Rise—But What Does It All Mean?

Books That Shaped My Summer:

Hidden Heritage – Fatima Manji’s compelling look at British colonial history, unpacking long-overlooked narratives. Available free on BorrowBox.

Femina – Janina Ramirez revives forgotten medieval women, rewriting history with their stories at the forefront. Another BorrowBox gem.

Mantel Pieces – A brilliant collection of essays by the late Hilary Mantel, touching on everything from royalty to cultural critique. This one was so good, I had to buy a copy for myself.